1/ Cards - (Harris) 3.06
Mick Harris
2/ Jackal Head - (Molyneux) 4.22
Ocosi
3/ Pressure Drop - (Raxter) 5.16
Dustmite
4/ Genetic Talk Radio - (Smerdon,Epps) 5.54
Zero ID vs. Shinitaika
5/ 201 - (Gluck,Carlson) 5.50
Su8m3rg3d
6/ Dash Kop - (Moreau) 5.31
Olivier Moreau
7/ Say No - (Silk Saw) 4.55
Silk Saw
8/ Elephant (Erem/Sprit Vacating Mix) - (Di Benedetto,Codoni) 7.09
Nos
9/ Hesitation - (C-drik) 5.35
I-drik
10/ You Kant Skip Hegel - (Gabor S,De La Fuego) 3.03
Montagn
11/ Red Line - (Larvae) 4.37
Larvae
12/ Chainsaws - (Turnone) 4.35
Turn
13/ Deep Inner Mental Forces - (Moore,Shorthouse) 5.10
Alien Radio Station
14/ Madness March - (Foster) 3.34
Dijislov
15/ Short Bus Blues - (Wright) 6.02
Not Breathing
Track 1 recorded at The Box 1999
Track 2 recorded at Task 1999
Track 3 recorded at Empty Light Studio 2000
Track 4 and 11 recorded at Basement, London
Track 5 recorded at Anodyne, Winter 1999
Track 6 recorded in Brussels, August 1999
Track 7 recorded at Laboratorie Central 1999
Track 8 recorded at The Trap Lugano, Switzerland in Spring 2000
Track 9 recorded at Syrphe 1999
Track 10 recorded at Sugarut Muterem Fall 1999
Track 12 recorded at Branestorm Studio 1999
Track 13 recorded at Alien Radio Workshop Toronto, Canada 1999
Track 15 recorded at Not Breathing Sound Studios, San Francisco 1999
All tracks produced by its respective writer(s)
Compiled for Empty Light & Hed Nod in 1999 and 2000
Mastered at Studios Metarc, Brussels
(1) Mick Harris : all sounds.
2001 - Empty Light Records/Hed Nod, EL01/HED01 (CD)
Note : This is available at the Hushush website.
A few tracks into the compilation, and I was saying to myself, “if this is dark hop, I like it.” I truly enjoyed combination of dark minimalism and heaviness. the tracks feature prominent downtempo beats and dark atmospheric textures. this combination becomes the ultimate selling point for me, since it borders between uneasy dark ambient, filled with noises, occasional voice samples, tweaked strings, and downtempo percussion structures. at the same time, there are plenty of elements that take these works out of the restraints of rhythmic dark ambient and move it closer to the dub genre – funkier noises, unexpected sounds, even acoustic and more cinematic elements, unusual broken percussion structures. all that is kept within the overall rigid rhythmic boundaries outlined by bass-saturated minimal percussion structures.
Pretty much every track has something interesting to offer; my favorites included larvae with “red line” that stands out for its very energetic and violent beginning that later on moves to more atmospheric and elegant part. olivier moreau presented very fine dark ambient textures with minimal percussion; not breathing combined almost idm-sounding frequencies and bleep with minimal strings and non-linear broken percussion; silk saw contributed one of the darkest tracks on the compilation with constant vibrating bass and distant frequencies; “201” by su8m3rg3d sounded vaguely familiar with a beautiful combination of atmospheric sweeps, deep strings and constant percussion. “deep inn” by alien radio station created a surprisingly dense atmospheric out of vocal samples, rattling, screeching noises, elongated strings and saturated heavy percussion. scorn, appropriately opening this disk, created familiar heavy sonic assault, soon followed by “pressure drop” by the dustmite – probably the catchiest track on this combination combining dark textures with minimal pleasant keys, groovy basslines, and vocal samples.
I was very impressed with the overall quality of this compilation where all the tracks bring something new and unique, and yet managed to stay within the same genre. hed nod came up with a very refined and focused outlook on the genre, further proving its status (as well as hushush) as a label that brings together quality and expertise in so many genres, picking the ones that offer a very unique, and very focused music. despite the initial definition of the genre as a very minimal, stripped-down style, this compilation displays an impressive diversity and versatility of musicians, bringing together so many genres and yet managing to stay within the boundaries of the genre.
5 of 5
Anton (courtesy of the Nezzwerk website)