Disc one :
1/ Rhythm & Noise - (Humon) 7.22
Looms
2/ Palm Canyon - (Redolfi) 9.07
Michel Redolfi
3/ Buoyant on Motionless Deluge - (Rich) 6.29
Robert Rich
4/ Hamam - (Sabbah) 4.46
DJ Cheb i Sabbah
5/ Shard I - (Roach) 7.22
Steve Roach
6/ Flat Earth - (Vidna Obmana) 8.44
Vidna Obmana
7/ Calming Sorrow - (Alaric) 4.57
Insect Funeral
8/ 2000 II - (Fripp) 7.10
Robert Fripp
9/ Soli Deo Gloria - (Mattox) 4.40
Janis Mattox
10/ The Ghost Ship (excerpt) - (Fibe) 10.04
Aloof Proof
Disc two :
11/ Move I (Drone Mix) - (Bouhalassa) 7.59
Ned Bouhalassa
12/ Below - (Greinke) 7.06
Jeff Greinke
13/ Annul - (Guillette) 3.34
X-Ray
14/ Slow Fall Inward - (Harris) 10.10
Lull
15/ Drowning In Aurora - (Null,Plotkin) 5.48
KK Null/James Plotkin
16/ Melisma - (Sound Traffic Control 1.58
Iso Ambient Orchestra
17/ Deliquesce - (Humon) 2.26
Naut Humon
18/ Variable State Optical Amplifier (Lenczycki) 10.26
Gregory Lenczcki
19/ lapsed transfer - (Davidson) 9.23
Xopher Davidson
20/ Sound Characters - (Archer) 14.56
Maryanne Archer
Disc two, track 14 created at Wall of Silence April 1994
Disc two, track 14 produced by Mick Harris
(disc two, track 14) Mick Harris : all sounds.
1995 - Sombient/Asphodel (USA), 0953 (2CD)
Antony Burnham (courtesy of Metamorphic Journeyman website)
Two welcome exceptions to the Dark Ambient tendency for titles to sound better than the product. The relatively lightweight "Twilight Earth" is only inferior (in content and duration) to SOMBIENT's magisterial juggernaut by dint of it's relatively accessible sound.........Step two on any stairway to Ambient heaven should be "Swarm Of Drones". The central panel of a triptych which begun in the spring of last year with the release of "Throne Of Drones", this is top stuff. Ignore the cyber-California bullshit of the liner notes, with their Silicon Valley-Big Sur techie-guru argot, and wallow in the dream-team of talent. Balanced between aesthetics both light (ROBERT RICH, ROBERT FRIPP, VIDNA OBMANA) and dark (JEFF GREINKE, LULL, BOUHALASSA and, astonishingly, STEVE ROACH), it fulfils its forbidding remit of overviewing the genre to a degree that it is worthy of time-capsule inclusion as a definitive statement. OBMANA's full-sailed surges of sound in "Flat Earth" are almost worth the price of the collection alone, but rarer birds like ALOOF PROOF ("Ghost Ship") and INSECT FUNERAL ("Calming Sorrow") score mightily as well. It's encouraging to see a roster of names with greater or lesser New Age pretensions resolutely setting new courses, and to see just how far Detroit Techno / Electronica and its harsh exigencies and lessons have penetrated other genres without compromising their aesthetic sensibilities. "Swarm Of Drones" is an exemplar of how textural and timbral experimentation have at last been hauled aboard the traditional synth bandwagon and put to good use. This is how 'New Age' should have sounded. Only ten years too late, but welcome all the same. Unmissable stuff.
Paul Stump from THE WIRE 143