M.J. HARRIS/MARTYN BATES

MURDER BALLADS (PASSAGES)

  1/  The Bramble Briar                          (Harris,Bates)                13.27
  2/  The Cruel Mother                           (Harris,Bates)                11.24
  3/  The Banks of Fordie                        (Harris,Bates)                13.07
  4/  The Murder of Maria Marten                 (Harris,Bates)                17.32

          Recorded and mixed by M.J. Harris at The Box, July 1996
          Produced by M.J. Harris and Martyn Bates
          Executive Producer : Luciano Dari

Mick Harris : sounds; Martyn Bates : voices, sounds.

          1997  -  Musica Maxima Magnetica (Italy),  eee 36  (CD)

REVIEWS :

Second chapter in the "Murder Ballads" series - more dark, rolling tones & chillingly dream-state voices tell four tales of cruelty. A series much lauded & deservedly so.MARTYN has searched around to find a second collection of tales to chill the blood. Although the two artists are credited with 'compositions', I believe these are actually old folk songs, with the fourth piece more commonly known as "The Murder In The Red Barn" and dating back to pre-Jack The Ripper times, when it was then considered to be a crime worthy of portraying in song and even a play (check out the old black and white film starring TODD SLAUGHTER - it kinda romanticises Maria Marten more than history considers she deserves, but is worth seeking out if you like these tales). MICK has created a dark screen against which the voice is set, slow, soporific, bad dream driftworks which make a perfect mood for the cold stories to unfold against. As with his LULL project, this is deep, muted and less to do with recognizable 'music' than of a feeling, a mood.

The backing soundtrack on this is so far up that you need full volume to discern the words. The original demo used this as a carpet over which MARTYN's words crept, and seemed to have a much more powerful effect. Now the soundtrack is a high wall of darkness, over which the voice stands tiptoe to be discerned. I'm not criticising this - this album has been lauded enough for it to be right, but then there can be two conflicting opinions, both correct. I guess it's the difference between two films - say the brooding depression of "10 Rillington Place" as the demo, and "Texas Chainsaw Massacre" as the album. Both very scary films - both effective - but with a distinctly different approach to the horrors they portray.

But all said, this is still a chilling and fairly unique listening experience. Buy the box set, if you can find it - and "The Bloody Gardner", that elusive 13th track. It'll be money well spent.

Antony Burnham (courtesy of the Metamorphic Journeyman website)